Thursday, January 28, 2016
Pete Ryan's energetic double page road trip for Orange Coast illustrated a look back at 2015 stories, including surfboards that mimic waves; people dressed like pickles; an anteater mascot; Darth Vader; a horse; a sea lion; Disney; mosquitoes… and a well-dressed monkey.
Dan Stiles’ sweetly subversive textiles, including this pillow with a rock ‘n’ roll version of the Asian good luck cat, have earned him a mention in the LA Times “Hot Home Ideas for 2016” guide.
Wednesday, January 27, 2016
James Yamasaki used his own cycling gear as props when creating this illustration for an article in The Stranger on “What Happened to Bike Activism in Seattle?” As a result, the image is both technically accurate as well as a sly homage to propaganda posters of the 20th century.
Daniel Hertzberg was commissioned by the Boston Globe to illustrate an editorial by Vice President Joe Biden titled, “Five Ways to Make the Digital Revolution Work for the Middle Class.”
Chris Gash brings his conceptual A-game to this illustration series for The Milken Institute Review feature on how to reduce risk for investors in early stage drug research and development.
Peter Horvath’s refreshing collage illustration for Kiehl's Cosmetics “Artfully Made” online ad series features the natural wonders of their Clearly Corrective Dark Spot Solution.
Wednesday, January 20, 2016
Ruth Rowland was commissioned by Southern Poverty Law Center to create hand lettered headlines for an article in their magazine, Teaching Tolerance. This fluid, mono linear pen style was chosen to complement the atmospheric illustration on the article’s opening double page spread.
Friday, January 15, 2016
Paul Morton shares his latest graphic design and illustration project, this time for new client Grafters Craft Brewery in Lincolnshire, UK. Paul was able to give their high quality product a breath of life with some fresh branding.
Thursday, January 14, 2016
Wednesday, January 13, 2016
Dennis Wunsch illustrated a feature article for the January Scotsman Guide Residential Edition explaining how many mortgage professionals may have found themselves dinged up after implementing a great deal of government regulations – but they're still standing
Ingo Fast was commissioned by A&B One in Berlin to create illustrations depicting “Generation Y,” to be used in collateral material for midsize businesses in Germany. The brochures are designed to communicate "generation gap" issues between employers and employees, which Ingo’s hip little visuals do perfectly.
Brian Stauffer's subtle but chilling illustration for “Hard Cases” in the NY Times Science section accompanies an article describing the inseparable mix of expert and incompetent care that a patient may receive at the hospital.
Steven Salerno’s next picture book project, “Goldenlocks and the Three Pirates,” (written by April Jones Prince -release date 2017 by Farrar, Straus & Giroux) is the whimsical retelling of the classic story of Goldilocks and the Three Bears... but this time with a fun pirate spin. Arrrgh!!
Joyce Hesselberth’s illustration for The New York Times “Science Times” section accompanied an article about the often inaccurate forecast of a baby’s birthweight which sometimes leads to unnecessary C-sections.
Thursday, January 7, 2016
Dan Stiles’ supercool illustration combines with splashy photography to create a refreshing ad campaign for Coca Cola’s international water brand, Ciel.
Adam Niklewicz produced this ebullient illustration for The Chronicle of Higher Education to accompany an article about teaching creative writing, a fantasy held dear by many a scholar.
Paul Sharp’s illustrations give life to plush characters “Fuzzy and Bean” for Scholastic Books. The idea is to show disabled kids that they are capable of achieving more that they may have thought, through a series of gently nurturing situations.
Alex Williamson was commissioned by Guinness Malaysia to create a vivid series of illustrations for limited edition bottles celebrating the brand’s 50th Anniversary. Cheers!
James Fryer’s latest illustration for the Times Higher Education magazine focused on new problems for the Research Excellence Framework (REF), the system for assessing the quality of research in UK higher education institutions. With no time for proper peer review and with grade inflation inevitable, one academic felt compelled to resign from the REF as the panel could not give a reliable view of quality.
Fian Arroyo received this post-holiday swag bag from Hstreet Skateboards yesterday with samples of decks he created art for, plus a new set of Boneless knee pads.
Michael Waraksa’s illustration for The New York Times Business Day accompanied an article about research finding that employees who chose to continue working in the office, rather than opting to telecommute, ended up feeling lonely and disconnected.
Michael Witte’s watercolor illustration for The New York Times Style section depicts Bill and Melinda Gates enjoying their literary clout, known as “The Bill Gates Bump,” thanks to book reviews posted on their blog.
Mark Summers has been hired by Rolling Stone to illustrate a new feature for the magazine called "The Last Word". It will take up the back page...of every issue. The first one is a great interview with Dan Auerbach of The Black Keys. Mark is already working on #3!